Corbinian Böhm and Michael Gruber have worked together since 1995 under the name EMPFANGSHALLE. EMPFANGSHALLE creates art in the midst of our society. This society, consisting of the most diverse groups and different structures, is the medium of their works. More precisely, EMPFANGSHALLE embraces people who form such groups through shared ideas, surroundings or activities. We dock onto what has already taken form and something new arises from this contact; a new space arises in the previously existing structure – the space of EMPFANGSHALLE. Subways and their passengers can be such structures, for example. The characteristics of the selected locations and situations determine the way in which we deal with them. Infra-structural interventions render invisible or unconscious elements visible by enhancing them as if by means of a sound box and give them presence. The subway, from which thousands of people view the environment as it rushes by, provides both the public and the rhythm for irritating, theatrically staged, three-second actions. The three-second view through the window focuses on an unexpected event; what one sees outside blends with what one reads in the newspaper; fact and fiction are freed from their habitual places in our perception. An in the art hall, the location for artistic productions, products, merchandise that is obviously very useful with practical applications that normally appear at Tupperware parties, or organic cleaning agents from the German company, Haka Kunz, make their debut. On top of all of this comes a gentle 'kidnapping' of the public. Our 'docking on' is definitely an entering, or baiting and luring. For example, the public is tempted by curiosity, sensation-seeking, or playfulness, characteristics that most of us have. They draw us into new spaces. The public is often taken up into the new space arising through the work without its explicit awareness. This new space is of limited duration; time plays just as important a role as the location. We do not intend our works to be subjected to further arbitrary use as permanent installations; they are rather precise stage-settings that operate within chance moments. Social dynamics, the statements, movements, activities of people appearing in groups are channelled and rerouted into this new space, in which the EMPFANGSHALLE artists function as janitors. They see to it that things 'work', they take care of the infrastructure. They also have their own 'view' of the process; this includes EMPFANGSHALLE’s documenting this new space so that it can be recalled through video recordings, while the space itself disappears again after the intervention has been concluded.   2009 "Art on Site" NCCA Moskau and Goetheinstitut, 3. Moskow Bienale, Russia "Beauty and the beast" Ambermuseum, Kaliningrad, Russia "Kunst zur Arbeit" Opelvillen, Rüsselsheim "The Benjamin Project", Gallery Diet, Miami, USA "Paradiso" Diözesanmuseum Freising 2008 "Migrant Workers", Shenzen, Video and performance with workers. "Seaplay", Cina Cup, Beach installation, Shenzen "Golden Gate", Building art at the new school center in Fürstenfeldbruck (near Munich) "3+2=4" DG Deutsche Gesellschaft für christliche Kunst, (German Society of Christian Art), Munich "seesaw", Dina4, Atelier Berlin "Paradoxien des Öffentlichen", Wilhelm Lehmbruck Museum, Duisburg "Werkschau", Kunsthaus Raskolnikow in Public Space, Dresden SteinerStiftung, (Artfundingprize of the SteinerStiftung for the "Benjamin Projekt") "Camp Berlin", Berlin 2007 "Mobile journey", 52. Biennale d´Arte di Venezia Fototriennale Esslingen "Woher Kollege wohin Kollege" (Buddy, where do you come from, where are you going), "urban stories", Berlin 2006 "as if we were alone", 'Ars Electronica', Linz, Austria "Opening Exhibition H2", Augsburg, Germany 2005 "Klopstockstr. Haus 6", Petulapark, Munich, Germany "Welcome to Leipzig", together with “Medium Green,” Art Association of Leipzig, Germany "Ein Kreuz für das 21. Jahrhundert (A Cross for the 21st Century)", Diocesan Museum, Freising, Bavaria, Germany "", "Gei hi:n ho:l", an Art Project in Public Space with mega-posters, München, Germany 2004 "Schichtwechsel (Change of Shift)", Hall 13, Cotton Spinning-Mill ('Baumwollspinnerei'), Leipzig, Germany "Brot und Butter (Bread and Butter)", Municipal Gallery in the Höhmannhaus, Augsburg, Germany 'Werkschau (Exhibition of Works)", in the Raskolnikof Gallery, Dresden, Germany Premiere of "Woher Kollege Wohin Kollege (Buddy, where do you come from, where are you going)", a Documentary film of the same name as the art project, Municipal Museum, Munich, Germany Nomination of the movie "Woher Kollege Wohin Kollege" for thr Civis-Preis, Wien 2003 "Woher Kollege Wohin Kollege (Buddy, where do you come from, where are you going)", an Art Project in Public Space, Munich, Germany "Cape of Good Hope", an Art Project in Public Space, Kuopio, Finnland Art award of the city Fürstenfeldbruck 2002 "Gelsenlos (Gelsen Lottery Ticket)", Overtures, Gelsenkirchen, Germany "Auftraggeber mit Öffentlichkeit (Customer with Public)", Munich, Germany "Auf kürzestem Weg (Taking the Shortest Way)“, Artists’ Gallery ('Galerie der Künstler'), Munich, Germany 2001 "Kabûl Salonu", Istanbul, Turkey "Loch (Hole)", Joint Work with Haubitz & Zoche "Bitte melde dich... (Please let us hear from you...)", Brooklyn Bridge, New York, U.S.A. 2000 "Qualitätswochen (Quality Weeks)", State Art Gallery ('Staatliche Kunsthalle') of Baden-Baden, Germany "Open Art", Maximiliansforum, Munich, Germany "Move me", Subway entrances in Munich, Nuremberg and Berlin, Germany "Laden und Löschen (Load Up and Extinguish)” Piazza, Munich Literary House "Himmelfahrt (Ascension)”, Diocesan Museum, Freising, Bavaria, Germany "Empfangshalle macht sich ein Bild (Empfangshalle Gets An Impression)”, House of the Arts ('Haus der Kunst'), Munich, Germany 2000 "Drei-Sekunden (Three-Seconds)", on the ramp in front of the Empfangshalle studio, Munich, Germany 1999 "Play", Old North Cemetery ('Alter Nördlicher Friedhof'), Munich, Germany Artfundingprize of the Kestler-Häusler-Stiftung